
ALBERT
TRELOAR and
BEATRICE MARSHALL
BODYBUILDERS
POSING ON FILM
in 1904
by R.
Christian Anderson, Ph.D.
Albert
Treloar (A.T.Jennings) was a stage assistant to Eugen Sandow
himself. He then went on to produce a stage show featuring
his own strongman stunts, and upon winning the 1903 contest,
increased in popularity with the public. He performed under
the title "Albert, the Perfect Man". He soon wrote
a book entitled "Treloar's Science of Muscular Development."
Treloar went on to attend Harvard University,
obtaining his degree in Physical Education. While there, he
was a championship varsity oarsman and all-around athlete.
The movie clip (right)
shows about a minute of a bodybuilding show at Stanford White's
magnificent original Madison Square
Garden in New York on December 29, 1903 (when it was
actually on Madison Square at the site of the current New
York Life Building). This film was made by Thomas
Edison himself.

(above)
The original Madison Square Garden, site of the first 2 original
bodybuilding contests in 1903.
In the clip, Treloar wears leopard skin posing trunks (this
outfit was seen as that of the mythical hero "Hercules"
and was symbolic of great strength). He displays his physique
in a smooth and effective fashion to Edison's camera. Treloar
was declaired "The Most Perfectly Developed Man in the
World" and won the $1000 cash prize... a remarkable sum
of money in those days! This film was made about 2
weeks after that night of bodybuilding performances
on January 16, 1904. Some of the poses are seem odd to us
today, but the transitions from one movement to the next are
flawlessly performed and it is clear Treloar had developed
a routine that showed his musculature in angles clearly copied
from Greco-Roman sculpture. He would cut a fine figure even
by todays standards. For over 40 years, Treloar was the director
of physical education at the famed Los Angeles Athletic Club
in California. He trained countless men in bodybuilding during
those many years.
Miss
Beatrice Marshall, who is seen
first on the clip was declaired the winner of the same title
in the woman's catagory and also recieved $1000 for her efforts.
She clearly shows that femininity and a sense of innocence
was paramount in posing for women back then. Her figure, though
rather "Rubenesque" to us today, was considered
the height of feminine form in 1903.
The original paper print of this film is in
the collection of the Library of Congress in Washington, D.C.
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Albert
Treloar
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This
motion picture is in the collection of
The Library of Congress, Washington D.C.
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